El desarrollo del “pensamiento gráfico” en el estudiante de arquitectura como parte de su proceso creativo
Keywords:
PALABRAS CLAVE, didáctica del diseño, diseño arquitectónico, representación arquitectónica, teoría del diseño. KEYWORDS, Design Didactics, Architectural design, Architectural representation, Design TheoryAbstract
RESUMEN: La investigación tuvo el objetivo de definir
un marco teórico-metodológico que explique la
aportación que las herramientas gráficas y las técnicas
de representación manual tienen en el desarrollo del
pensamiento gráfico dentro del proceso creativo del
estudiante de arquitectura. La investigación consistió en
el análisis de la utilización de herramientas manuales
para la observación, abstracción, interpretación y
representación de las ideas arquitectónicas en diferentes
etapas del proceso de formación del estudiante. Se
analizan una serie de estrategias didácticas para el
desarrollo del pensamiento gráfico, encaminadas
a fortalecer las habilidades para la comunicación
y la creatividad arquitectónica. Los principales
resultados obtenidos permitieron conformar un cuadro
comparativo donde se plasman las fortalezas tanto
de las herramientas manuales como de las digitales,
dentro de los procesos del pensamiento gráfico del
estudiante de arquitectura.
ABSTRACT: The objective of the research was to
define a theoretical-methodological framework that
explains the contribution that graphic tools and manual
representation techniques have in the development
of graphic thinking within the architectural student’s
creative process. The research consisted in the analysis
of the use of manual tools for observation, abstraction,
interpretation and representation of architectural ideas
in different stages of the student’s training process.
A series of didactic strategies for the development of
graphic thinking are analyzed, aimed at strengthening
the skills for communication and architectural creativity.
The main results obtained allowed us to create a
comparative table where the strengths of both manual
and digital tools are captured, within the processes of
graphic thinking of the architecture student.
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